NEW REVIEWS FOR 'The Core'
IMHOTEP (Norwegian Zine)
An example to the contrary, would be Dark Tranquillity and Killswitch Engage (oh, he mentioned KILLSWITCH ENGAGE on a metal site, to the stake with this traitor!). Both bands are, in my opinion admirably if predictably, driven by their fans' expectations. Both bands, once unique and fresh, are becoming a little stale... Don't get me wrong, DT is and will remain one of my favorite bands, but I sometimes wish, listening to "Fiction", that they ventured out a bit again, like on "Heaven" or its predecessor "Projector". Even "Character" was a very experimental album. I like experiments, even if, or rather especially, if they venture outside of the comfort zone.
What makes Opeth, Mastodon and Tool so unique, then, is their ability to seamlessly fuse different sounds, genres and even musical styles in general into compositions, which should not even be called songs, per se. But it works, and the same can be said about Between the Buried and Me. You absolutely cannot possibly predict what you will get on the next album, but you know, whatever it is, you will be floored.
Well, ladies and gentlemen, allow me to introduce you to the future giants of progressive/eclectic rock/metal, if you will, a band worthy of taking place along the Opeths, Mastodons and Tools of the world - Gollum. Supposedly NOT named after the Lord of the Rings' Smeagley, but, instead, rendered from Yiddish word "goylem" for "a shapeless mass", the name accurately describes Gollem's music. If you like metal or rock, chances are you will hear the parts you like the most on The Core. And all of it is doused with copious sauce of Pink Floyd, pre -and including, Dark Side of the Moon era psychedelia.
But what makes Gollum geniuses they are, is that they don't SOUND like Slayer, Megadeth, Mastodon, Opeth, Tool or Pink Floyd, but merely make you THINK of those and many other bands. In 1994, Machine Head, with its debut "Burn My Eyes" was able to accomplish this same effect. Some stuff reminded you of Metallica, Pantera or Slayer, but when you played it against the respective bands' records you were shocked to find no plagiarism or even derivation has taken place. For, too, Stroehmer brothers (Gollum guitarists) have a sound of their own.
EVERY song on "The Core" is ENTIRELY different, drawing from various influences. It can be described, at first, at its base as a very filthy thrash/punk with abrasive vocals. But then another unique quality hits you: it's not only what kind of riffs they play but how those riffs sound. A riff would be played at a certain level of "dirty" and suddenly the guitars cut you with razor - sharp precision (the title track). Remember Corrosion of Conformity's 13 Track on "Wiseblood" with that very deep, almost detuned sound, as if they did not care? Well, that's kinda what I'm talking about here.
Furthermore, the band plays with such ease, skill and ingenuity, free from trends or requirements, that you swear this must be a seasoned, 10 albumer, but "The Core" is merely a sequel to their debut! Only two albums folks, and the music you hear is already throwing me on my knees, because these guys have the 'tude that's genuinely lacking from metal these days, the kind you heard on your "Vulgar Display of Power", "Killing Is My Business" or "Show No Mercy” records", a feeling of unadulterated artistic freedom of expression with no expectations or strings attached, that's right, the big "Fuck you, we don't give a fuck motherfucker, and we know we're fucking good, anyway" syndrome.
But with such jaw-dropping musicianship, how can you disagree? I have been listening to the new Gollum for two weeks now and I feel like I have barely scratched the surface of what it has to offer! I guess, if I could offer a single point of reference for you, I would still have to mention two albums simultaneously: "Blood Mountain" and "Crack the Skye" by you know who. Listening to these you have a feeling like these guys have a vision, fans be damned. No, I'm not talking about the lack of respect for the fans, but about not hanging onto their every word. Rightly said Alistair Crawley: Do what thou wilt shall be the whole of the law". So true, in life and in music. As for the sound, again, think "Prove You Wrong", didn't Prong do whatever the hell they wanted on that one? And yet the music was still cool, nevertheless.
But I still owe you, perhaps a short description of your possible encounter with this masterpiece: It starts slowly with an eerie intro and then, yes, definitely "Countdown to Extinction" in attitude and execution, ergo, without the melodisism. Before you wrap your mind around it, they hit you with Opeth, Prong, Mastodon and even Slayer before moving on. And so on and so forth.
There is a guest appearance by Randall D. Blythe from the (once, since Wrath is such crap) mighty Lamb of God, but that is, rather one of the least exciting tracks. It sounds too much like Blythe's day job. Be that as it may, it's a minor gripe of mine, in no way taking away from the pleasure of listening to this gem of an album.
The CD is best digested as a whole, with headphones on, as you pay attention to every sound. It's only a shame, that the main man behind this project, Hunter Holland, passed away of heart failure shortly before the release. It makes me worry a bit about Gollum's future endeavors, but we'll see.
So far so brilliant. Get it and listen on your knees, minions! The biggest surprise of the year and my personal number one for 2009 so far, along the new Mastodon, of course. 6 out of 6." -- Marcin "Dethster4life" Lewandowski
Away-Team
http://www.away-team.com/cdreviews.php?subaction=showfull&id=1238864973&archive=&start_from=&ucat=3
Well, one thing is for sure…on April 14th, some serious shit will hit the fan when N.C. Death Metal-Core Thrashers, GOLLUM see nationwide release with their Rotten Records debut, The Core. Not only is this album an amazing feat for a band to capture right out of the gates, but it’s even more amazing that they were able to carry through with the process after the tragic death of founding member/drummer Hunter Holland who passed right after laying down his drum tracks for The Core from a tragic heart failure. If that’s not enough to tear away at the fiber of any band, we don’t know what is…however, as Hunter would have wanted…the band carried forward and finished the record. What results is an incredible album full of hauntingly exotic Metal tunes and outright Death Metal bludgeon. The thing that makes them so exciting is the fact that each tune is a mini-epic story in and of itself. Take for example, “Ominous Winds”, a frightening track with angelic choir vocals seeping in and out of PINK FLOYD-ian riffs that crash into an undercurrent of full-on adrenaline that will scare the living shit out of you. Then, you’re welcomed into the world of insanity through deadly riffage on “Schadenfreude”. The tunes are common in attack, but their brutality is broken at times with nice, soft passages that contain strange harmonizing from church choirs or spoken word. It’s a really strange hybrid that works 100% for the band. The liner notes say that there are vocal contributions by LAMB OF GOD’s Randy Blythe, but they are not noted on individual songs, so I can’t really tell where he comes into play. However, throughout the entire effort, Holland’s drumming is rock-solid and very tasteful. He truly was a defining force behind this band.
http://www.waytooloud.com/2009/04/14/gollum-the-core-2/
In the world of extreme music, boundaries always need to be pushed. Faster. Louder. Heavier. Slower. Unfortunately, some of these pushes to the extreme end up being superficial.
So what does Gollum have for us? Well, it starts with some insanely heavy southern rock and good old 80’s rock made insanely heavy, but after that it gets weird. Strange harsh grooving, big spaces with bass slogging along up to tremolo picking a little bit of blast beating. At times, the down tuned morass gets a little like nu-metal with integrity.
The vocals are equally as strange, coming off as members tag teaming each other. A strangled high croak that sometimes comes close to Dani Filth of Cradle of Filth, then there’s also a lower bark that’s a dead ringer for Randy Blythe from Lamb of God. There’s other noisier vocal experiments within the album, but those are the most used elements.
So what is “The Core”? I always say that music this different that’s able to fire on all cylinders is the equivalent of expanding ones mind without the drugs.
Rating: 4.5/5
Released April 14th, 2009
Posted on April 14, 2009 at 8:00 am by admin
There is almost something progressive or artistic about the band. Granted the music is ugly and quite heavy for the most part, but the structuring is very different and this isn't a band that likes to repeat themselves. If you are expecting big hooks and choruses, you won't find them here. The approach is layered and noise driven but each new listen brings new elements to the surface. The snarling vocals further reinforce the bands chaotic yet familiar approach.
As odd as it sounds I would call this original even though the band really isn't doing anything you haven't heard before. They do however manage to take sounds and riff styles that you have heard before and put a new spin on them. The noise driven and sludge riffs work well in contrast to some of the more thrash inspired moments and really contrast with the mellow moments. If you like your metal incredibly heavy yet still quite inventive, check out this one for sure.
Exclaim/Aggressive Tendencies: Metal&Hardcore Review
http://www.exclaim.ca/musicreviews/generalreview.aspx?csid2=846&fid1=37759&csid1=132
With this Rotten Records debut, the follow-up to their 2004 self-released Lesser Traveled Waters, Wilmington, NC's Gollum have proven that they are been able to soldier on even after tragic adversity. The progressive metal band have dedicated The Core to their late drummer Hunter Holland, who passed just before the recording was completed. The album has a very experimental sound due to the band's use of samples and keyboards, but it also contains elements of hardcore and death metal, as well as an old school thrash vocal style. The title track is rich and dynamic, while "Blacksmith (Summoning Wrath)" is very groove-driven, with Frank Stroehmer's catchy guitar riffs. The standout track on The Core, however, is most definitely "Diggin'," which features aggressive guest vocals from Lamb of God's Randy Blythe. The Southern influence on this track is undeniable and also features an exceedingly brooding vibe, with vocals that sound like someone being dragged through the depths of hell. (Rotten)
Audio Drome (Italy) - translated
Dedicated to my fellow road and Hunter Holland (original drummer of the band), The Core continues the path of Gollum in search of a new form of expression in the metal, a kind of Esperanto that incorporates within it a multiplicity of approaches and nuances. At the side of Gollum into the scene of some guest respected as D. Randall Blythe (Lamb Of God), Dave "Dixie" Collins (Weedeater), Scott Angelacos (Hope & Suicide) and Cassie Sipe and George Zervos, to form a team decidedly mixed, but at the same cohesive. The result of these synergies is a magma sound, without ever losing sight of the song form, is striking for the versatility and the desire to experiment: the thrash backbone slowdowns sludge plug, spoken words, openings ambient, ethereal arpeggios, scores prog, sampling and female choirs. What is surprising, just the ability to build devastating anthem from the front and able to get straight to the goal, while attached to them countless changes of mood and direction. On the contrary, it is even desirable for the future a greater amount of courage the inclusion of these digressions, which at present are likely to be crushed from the aggressive songwriting. Overall, however, one can only praise a job designed to widen the boundaries of the scene of origin, and that shows a sincere drive to innovate. The Gollum are musicians with excellent potential to find its own original form of expression and eager to leave their traces in a scene - now more than ever - saturated by trade. Given similar circumstances, one can only hope to train to complete a project as ambitious as interesting.
Gothtronic
http://www.gothtronic.com/?page=23&reviews=6156
Gollum is a metalband from North Carolina in the USA . The name of the band is derived from the Yiddish term Golem, which literally means shapeless mass. This doesn’t go for the Gollum although the sound of this band does need some time to digest. The band around singer Shawn Corbett and the Stroehmer brothers does not choose the easy way with standard song structures. The guitars sound heavy and complicated and this also goes for the drums. Furthermore the sound is filled with samples. Think a technical metal variation with elements from thrash and sludge. Here and there a psychedelic Southern influence rises to th surface in the overall heavy, thick and epic sound of Gollum. Sometimes it even becomes hypnotising with its tribal feel, atmosphere and samples. Fascinating it definitely is, the music of Gollum, and the vocals from Shawn fit very well. The album is dedicated to drummer Hunter Holland, who unfortunately died after the recordings for this album. Luckily the band continued since The Core is a surprising effort that shows there is still much original possible in metal.
Teeth of the Divine
http://teethofthedivine.com/site/reviews/gollum-the-core/
OLD REVIEWS OF 2004 Lesser Traveled Waters
Metal Maniacs (Jan 2005 issue)
“Super-ultra-mega complex in structure and style, this one takes a few listens to grasp but once it takes root, may never grow old. Equally astortured and biomechanical as it is free- flowing and organic…rapes ears with a low-end gut-punch that’s almost entirely instrumental outside of its haunting samples and guest appearances (Lamb of God vocalist Randy Blythe appears on the bludgeoning “Cross-Pollenation” and Weedeater frontman Dave ‘Dixie’ Collins sings on “Tears for a Finite Moon – Dreams of Perpetual Night”). Lesser Traveled Waters most likely appeal to fans of everything from Neurosis to Tool to Will Haven to Aphotic to Meatjack, along with attributes to both Lamb of God and Weedeater…not that they necessarily sound like any one of these acts individually. Regardless, Gollum have coughed up a wholly satisfying 46–minute release filled with chugging low-end sub-death metal, paranoid post-doom and apocalyptic melody. Get this.” – Dave Brenner
StonerRock.com
”In North Carolina, way back in the hills, lurks a hideous yet artful beast the local villagers fearfully call Gollum. Lesser Traveled Waters is the band's new release and is one of the most original metal records composed in a long time.Gollum are one of those bands that takes from all kinds of metal (black, death, doom, thrash, industrial, classic, prog, you name it), and mix it tastefully into a creepy concoction that is more impressive than any other genre-jumping band. Although this record is executed through many different styles and is mainly instrumental, the overall feel of it is the same. Lesser Traveled Waters is sinister and aggressive and sometimes downright horrifying. There are a good amount of samples on this album, coming from sources I couldn't recognize (which means you won't be running into any rehashed sound bites from Wickerman or Watership Down or whatever Skinny Puppy and Neurosis have used before). The samples are used in a narrative fashion and are placed cleverly within the music so the lack of vocals is never really an issue. The keyboards and sonic guitar work add an ethereal tone to all of the songs. The rhythm section is tight as it can get and thunderous to match. A definite step for this band would be composing soundtracks to an Argento film since their current material is so damn psychotic.The funny thing about Lesser Traveled Waters is that as deviously crafted and inventive as this piece is, Gollum chose to recruit two of the nastiest and dirtiest troglodytes I have ever met, Dixie Dave (Weedeater) and Randy Blythe (Lamb of God), who supply their renown caustic voices to "Tears For a Finite Moon" and "Cross-Pollination," respectively.This is a great recording and should be listened to by fans of OLD, Mastodon, Yeti, Zombi, and even something like Gorgoroth.” - Velcro Lewis
Jackal Blaster
“Moving to something completely different in atmosphere and approach, Friends and Enemies Records has just released Gollum's opus Lesser Traveled Waters. Combining hardcore and death metal riffage and pounding with electronics and sparse vocals, Gollum's interest lies in creating texture and atmosphere through instrumentation, rather than through dominating vocals throughout the entire work. What little vocals that are present, weather they be spoken word, tortured deep male vocals, or some minor female soprano voices, establish a well of atmosphere and emotion against the shadows of subterranean channels the instrumentation moves through. Each song, through its title or by a spoken word sample at the beginning, may hint at the theme and atmosphere that particular track seeks to convey and then move on from there. Thematically, the album is based on a rejection of the christian religion and seeks a higher existential philosphical ideal by casting aside these false idols and dogmas for an inner search for true spiritual meaning. Conceptually and musically, Gollum have captured a true individuality and originality that through their trance inducing surrealist atmospherics, move them far beyond the planes of space and time. An original entity all to themselves, Gollum should be highly praised for their effort in pushing their artistic talent and creativity to acheive something great and lasting such as this. Lesser Traveled Waters is highly recommended.” - Jeramy Ponder
SMNnews.com
http://www.smnnews.com/cds.php?subaction=showfull&id=1118845814&archive=...
How noteworthy it is to stumble across something as creatively fecund as this in the often also-ran US underground, home to countless endeavors in rote metalcore and pointless strains of brutality. Lamentable power metal name notwithstanding, North Carolina’s Gollum dodges any semblances of cliché with a fully actualized musical style pointing to limitless imaginative vistas. Tremendously long for an indie release (well over fifty minutes, in fact), Lesser Traveled Waters earns its right to swing its authority by at first laying down a death metal foundation and then proceeding to complicate it in manifold ways. Adding heaps of electronics, including well-placed, eerie samples and synths lends this further expansiveness. That it is largely instrumental (excepting movie samples and two high-profile
appearances from Lamb of God’s D. Randall Blythe and Weedeater’s Dave Collins) might actually prove a blessing, removing the yoke of singular genre association from these fellows. In any case, while blastbeats abound, they clearly serve more as punctuation than as a de rigueur convention. So, then, consider this as a cross between death and the most expansive stoner doom you’ve ever heard (witness the organic, languid pace of multi-part “The Dissolution of Faith” as proof positive), further complicated with elements of Eastern mysticism, progressive fits and starts, and cutting-edge multimedia. The impression fully gained is of a band that, as excellent as it already is, has every reason to suggest that its potential has barely been gleaned, let alone exploited to its fullest. Like Mastodon, Lamb of God and Neurosis, then, this one seems to owe much to several genres while not belonging to any of them. Rating: 8.5/10 - by Matthew Kirshner
Metal Eagle
http://www.metaleagle.com (Oct 2004, reviews page 120)
“When you have Steve Austin of TODAY IS THE DAY doing the mastering of your album, D. Randall Blythe of LAMB OF GOD and Dixie Dave Collins from WEEDEATER doing guest vocals on 2 of your songs, then you are not the average I-wanna-play-like-IN-FLAMES-or-KILLSWITCH-ENGAGE kind of band and your name is most probably GOLLUM. Instead of pursuing the easy way of recognition through New-Wave-Of-Stoner-Doom-Metal or New-Wave-Of-American-Hardcore-Metal, GOLLUM chose to play with ingenuity and sharpness music that comes directly from the spirit of each one of those lads. In “Lesser Traveled Waters” you will find psychedelic moments a-la NEUROSIS, ultra heavy and technical composing a-la MASTODON, the soft moments a-la THE TEA PARTY or the progressive parts a-la DREAM THEATER. Is there anything else you need to understand that this band has a stylish way to infuse all those influences into one? If so, then buy the album and listen for yourselves! And on top of that, witness how easy to listen is the whole album, even for the average listener who thinks that THE DILLINGER ESCAPE PLAN have no order whatsoever in their music.” – Konstantinos Vasilakos
Transcending the Mundane
http://basementbar.com/DefaultN1.asp?GoTo=CurrSelN2.asp?ID=2013&Page=Arc...
“Gollum hails from Wilmington, North Carolina and stands out for their originality. The tribal, trance-inducing music of Frank Stroehmer (guitars), his brother Serge (bass), and Hunter Holland (drums) creates a surrealistic environment and has no parallels I can think of. Josh Novicki adds yet another dimension with live programming; incorporating keyboards, samples and vocals done by the group. They got their start in 2001 with Promise Of Nightfall and recorded the Darkhouse Demos a year later. Their latest offering, Lesser Traveled Waters, provides a leap in production quality (it was mastered by Steve Austin of Today Is The Day) and a continued commitment to provide "a true artistic alternative to the world of aggressive music." The liner notes are also noteworthy, providing not quite lyrics, but more like little passages of text, bits that will be spoken by the album’s many voices:
I shall not fear my divinity of flesh. My bestial horns stand on high. The hell the enslaver speaks of shall never consume my soul, as the flock are stripped of their worth.
Or…
The greatest crime in history was against the whole human race, when they stole our divinity from us. Just when we had finally realized our divine nature, they stole it from us and gave it to one man, then turned the rest of us into sheep.
The album begins with the sound of a record being put on and then it’s the crushing groove of “Snakepath.” Stroehmer’s guitars are chunky as hell and the musicianship is both heavy and loose. I am reminded in terms of attitude of Mastodon. There’s also a definite stoner vibe here. Remember what they said about an alternative to aggressive music? Well, you don’t need one. This is very heavy music! Listen to this bizarre black-metal esque hook at the 1:15 mark, with ugly blast beats by Holland and blackened keys by Novicki. Wow. Then they tear through sections that sound like elite power metal
with electronica. What is this bizarre, gurgling death vocal at the 3:05 mark? That’s twisted, man. More grooving, elite power metal on “Refusal of the Call.” And now you can also hear a Nu-Metal influence in the riffing. This is hot stuff, and the drums are mixed really high, so you ride with Holland the whole way. Another nice touch on the boards is the sudden voices, which sometimes come in jarringly loud. Also notice how the band messes constantly with the bass and treble equalization. Are these Austin’s touches? If so, they gave him tremendous latitude. Gollum is not content to follow SOPs. "Cross Pollination" features D. Randall Blythe from Lamb of God on vocals and is one of the better songs I’ve heard in awhile. It begins with shimmering guitars out of “Children of the Grave.” Then a man and a woman come in alternating the same lines of poetry before it explodes into technical black metal. Anyone who loves Satan—or Neurosis—will rejoice. Too good to be true, thrash beats, crushing double bass, and the shrieks of Blythe—all my needs are being met. “Amor Fati” is a nice interlude, Stroehmer’s opportunity to show his talents on acoustic guitar. Then “The Burden of Ubiquitous Scars” brings us back to ground with Progressive Muscle Metal. This is what Pantera should have become. Nice bass work here by brother Serge, he’s finally getting his moment in the spotlight. Then it starts sounding like a David Lynch soundtrack, with some haunting female vocals. This crushing power metal at the end is insane—and they just groove and groove forever. “Reclamation of the Essence” sounds like Big Country meets FinnTroll. The break at the 3:00 mark is Futurist on a level exceeding Townsend and equaling Darkane. I love “The Dissolution of Faith,” at this point it’s like great prog rock, almost Yes-like. But they alternate with bursts of technical metal that are insane. And segue effortlessly into progressive thrash with Mastodon-like tom explosions by Holland. The bizarre whispering here is creepy, unsettling. The song is divided into four stanzas, the latter of which are bizarre, beautiful and at times sound like a horror movie soundtrack. “Tears for a Finite Moon (Dreams of perpetual Night)” is no less serious, and damn has guest Dixie Dave Collins of Weedeater got a serious black metal screech! What is the weird speech at the beginning of “Fall of Penitents” (“you dirty old man, you smart-ass kid…”)? OH—love that progressive doom riffing!! On the closer, “Beyond the storm,” it’s a mix of blazing hot Nu-Metal and godlike Power. As always, the electronica touches of Novicki are creepy, alien in a “Texas Chainsaw” kind of way. What are these twisted vocal clips at the end—two girls talking—I swear to god I feel like I just saw a good horror movie. Tech fans, this is the one to get. Stoner fans, this is the one to get. Black fans, this is one to experiment with successfully. Really, Gollum should call Relapse Records immediately, because they would fit in perfectly with their technical, groundbreaking line-up of Mastodon, Cephalic Carnage, Suffocation, Neurosis, Dysrhythmia, etc. As artistic a release in the metal genre as I can remember in recent years, Lesser Traveled Waters is probably going to end up one of the most aptly titled metal albums of the year, in addition to one of the best.” - Ladd Everitt
1340mag.com
http://1340mag.com/review_gollum_lessertraveledwaters.htm
”DAYMN! Compare this with my initial book-by-the-cover reaction I had to the bands name and preconception I had in expecting something along the lines of overwrought LOTR-worship-oriented orchestral metal act. Lesson learned. Here's a killer CD I am hard-pressed to cubby-hole into a neatly fitting genre. Heavy bottom bass and concussive drums wrapped around a crunchy guitar center lightly sprinkled with blip-blop sampling - no nougat required. Vocals (non-sampled I should qualify) are sparse and frankly I am glad to see it - the arrangements here are more than strong enough to stand on their own. I often find myself wishing there was more good metal that just side-stepped vocals altogether. Too often it has to be mentioned in reviews that the band in question "isn't breaking any new ground" or "sounds undifferentiated" from other bands. I can't fully catalogue the flavors you'll find within but they are diverse and comprehensive as the likes of old TAD and stoneresque in the tradition of Fu-manchu with the mind-bending of Scratch Acid and Acid Bath. All without sacrificing a relentless heaviness or feeling obligated to dress it up in faster rhythms. Even if it weren't for the guest appearances of Dixie (from Weedeater) and D. Randall Blythe (of Lamb Of God) I'd recommend this hands-down as a must have album - if for no other reason than to immerse yourself in a definition shattering world where heavy is not as heavy DOES, but just IS. Easily the best new band I have been exposed to in the last couple years. I hope these guys stick around as I'll eagerly be awaiting more material while thankful "Lesser Traveled Waters" just refuses to get old.” - Matt Brammer
Live 4 Metal
http://live4metal.com/reviews-148.htm
“As the metal world continues to fill up with predictable bands (Swedish melodic death anyone?), we’re beginning to see groups like Gollum retaining the heaviness but pushing the boundaries of the genre. Interestingly enough, the band included in its press pack a one-page list of e-mails from fans touting the merits of Lesser Traveled Waters, including none other than Today is the Day’s Steve Austin (assuming of course this isn’t some kind of joke). From one boundary-pusher to another I guess. Gollum is not as “out there” as TITD and I’m perfectly fine with that because I’ve heard plenty from the mathematical noise chaos crowd the last few months. What Gollum does well is combine copious amounts of riffage with synth, programming, and samples that move swiftly through the bloodstream. Hunter Holland’s drumming pulverizes with foot speed and induces seizures with the fervor of an octopus on speed. The majority of the music on this 11-track disc is without any actual lead vocals, with the exception of a few tracks that utilize something along the lines of mid-paced distorted death growls and anguished screams. Lamb of God’s D. Randall Blythe and Weedeater’s Dixie Dave Collins even make an appearance on “Cross-Pollenation” and “Tears for a Finite Moon (Dreams of Perpetual Night),” respectively, the latter in particular being an atom smasher of a tune if I’ve ever heard one. If the appearance of said heavyweights is not a stamp of approval or indication of the quality herein, then you’re probably reading the wrong review. Spoken word samples and befuddling electronica are woven into the fabric in a way that keeps the album from sounding like mere background music or the jumbled mess of neuron misfirings many of today’s metal mathematicians churn out. Gollum deftly keeps the album sounding like extreme metal with groove and heft, yet pulls together an interesting mosaic of sounds that sets them apart from both the more traditional metal and noise core packs - not an easy thing to do and I applaud them for it. These waters are indeed lesser traveled.” – Scott
“Super-ultra-mega complex in structure and style, this one takes a few listens to grasp but once it takes
root, may never grow old. Equally as tortured and biomechanical as it is free-flowing and organic…rapes ears with a low-end gut-punch that’s almost entirely instrumental outside of its haunting samples and guest appearances (Lamb of God vocalist Randy Blythe appears on the bludgeoning “Cross-Pollenation” and Weedeater frontman Dave ‘Dixie’ Collins sings on “Tears for a Finite Moon – Dreams of Perpetual Night”). Lesser Traveled Waters most likely appeal to fans of everything from Neurosis to Tool to Will Haven to Aphotic to Meatjack, along with attributes to both Lamb of God and Weedeater…not that they necessarily sound like any one of these acts individually. Regardless, Gollum have coughed up a wholly satisfying 46–minute release filled with chugging low-end sub-death metal, paranoid post-doom and apocalyptic melody. Get this.” – Dave Brenner
StonerRock.com
http://stonerrock.com/forums2/allposts.asp?summary=1&Forum=ap809241559&I...
”In North Carolina, way back in the hills, lurks a hideous yet artful beast the local villagers fearfully call Gollum. Lesser Traveled Waters is the band's new release and is one of the most original metal records composed in a long time.
Gollum are one of those bands that takes from all kinds of metal (black, death, doom, thrash, industrial, classic prog, you name it), and mix it tastefully into a creepy concoction that is more impressive than any other genre-jumping band. Although this record is executed through many different styles and is mainly instrumental, the overall feel of it is the same. Lesser Traveled Waters is sinister and aggressive and sometimes downright horrifying. There are a good amount of samples on this album, coming from sources I couldn't recognize (which means you won't be running into any rehashed sound bites from Wickerman or Watership Down or whatever Skinny Puppy and Neurosis have used before). The samples are used in a narrative fashion and are placed cleverly within the music so the lack of vocals is never really an issue. The keyboards and sonic guitar work add an ethereal tone to all of the songs. The rhythm section is tight as it can get and thunderous to match. A definite step for this band would be composing soundtracks to an Argento film since their current material is so damn psychotic.
The funny thing about Lesser Traveled Waters is that as deviously crafted and inventive as this piece is, Gollum chose to recruit two of the nastiest and dirtiest troglodytes I have ever met, Dixie Dave (Weedeater) and Randy Blythe (Lamb of God), who supply their renown caustic voices to "Tears For a Finite Moon" and "Cross-Pollination," respectively.
This is a great recording and should be listened to by fans of OLD,Mastodon, Yeti, Zombi, and even something like Gorgoroth.” - Velcro Lewis
Jackal Blaster
http://angelfire.com/zine/jackalblaster/May2004_reviews.html
“Moving to something completely different in atmosphere and approach, Friends and Enemies Records has just released Gollum's opus Lesser Traveled Waters. Combining hardcore and death metal riffage and pounding with electronics and sparse vocals, Gollum's interest lies in creating texture and atmosphere through instrumentation, rather than through dominating vocals throughout the entire work. What little vocals that are present, weather they be spoken word, tortured deep male vocals, or some minor female soprano voices, establish a well of atmosphere and emotion against the shadows of subterranean channels the instrumentation moves through. Each song, through its title or by a spoken word sample at the beginning, may hint at the theme and atmosphere that particular track seeks to convey and then move on from there. Thematically, the album is based on a rejection of the christian religion and seeks a higher existential philosphical ideal by casting aside these false idols and dogmas for an inner search for true spiritual meaning. Conceptually and musically, Gollum have captured a true individuality and originality that through their trance inducing surrealist atmospherics, move them far beyond the planes of space and time. An original entity all to themselves, Gollum should be highly praised for their effort in pushing their artistic talent and creativity to acheive something great and lasting such as this. Lesser Traveled Waters is highly recommended.” - Jeramy Ponder
Sea of Tranquility
http://www.seaoftranquility.org/reviews.php?op=showcontent&id=1261
“Gollum's Lesser Traveled Waters might just be one of the most unique metal CD's I have heard in quite some time. Sort of like a weird combination of death metal, stoner/doom metal, thrash, and a dose of psychedelic prog, the four fellows in this North Carolina band certainly get major points for doing something different, as the eleven tracks here of mostly instrumental brutality are chock full of more killer guitar riffs and grooves than most bands with twice the track record can muster. You heard that right; this release is for the most part instrumental, save for a few tunes that have manic death metal growls, or psychedelic, phased out narrations, as on the rampaging "Refusal of the Call." On that cut, guitarist Frank Stroehmer lays down some speedy and powerful riff-o-rama over the frenzied rhythm section of drummer Hunter Holland and bassist Serge Stroehmer. Josh Novicki adds all sorts of eerie keyboard and electronic soundscapes, as well as odd loops & samples throughout the CD, which gives the music a somewhat progressive and futuristic edge. His haunting, Mellotron-like waves counter the rampaging death metal assault of "Cross Pollenation", while "Amor Fati" features some atmospheric acoustic guitar textures that lead into the mighty "The Burden of Ubiquitous Scars", a song that is like a cross between Porcupine Tree and Slayer. Brutal guitar riffs meet chilling atmosphere on the intelligent instrumental "Reclamation of the Essence", a song with many moods and time changes, while "The Dissolution of Faith" is without a doubt the most progressive track on the CD. This four-part tune could have easily been a lost track off of Dream Theater's latest release, as it mixes churning guitar riffs with vast keyboard effects and intricate time signatures. Less interesting is the bands take on black metal with "Tears for a Finite Moon", complete with generic riffs and garbled vocals, but thankfully they redeem themselves with the mix of doom and technical metal on "Fall of Penitents" and the groove 'n' chunk of "Beyond the Storm."
Like I said earlier, there's more crunchy riffs here than you will find on most other metal releases. While I like the bands mixing of metal with electronica, I think they are still finding their own niche, and it will be interesting to see where they go from here. A great start guys!” - Pete Pardo
Sleazegrinder
http://www.sleazegrinder.com/review_2-15gollum.htm
“I don’t think they particularly wanna commit to either, but Gollum might be the world’s first stoner rock-black metal band. And while that was, by no stretch of the imagination, BOUND to happen, it’s a pretty logical evolution, really. I mean, what goes better with Satan than drugs, right? As such, the constantly churning soundscapes of "Lesser Traveled Waters" is like some kinda heavy rock buffet, as trance-y acid-doom passages give way to vicious Slayer riffs and a demonic rasp, which eventually collapse into King Diamond-esque unearthly choirs, and back again. It’s quite mad, no doubt about it, and more ambitious then any bedeviled dope fiends from Wilmington, NC really oughta be, but with all this fuzzy pretzel logic going on, it pretty much never gets boring. Largely instrumental (the song titles are so long - "The Dissolution of Faith, part ii: Despondent Search for Truth", etc.- that I guess they couldn’t fit too many more words into the actual songs), with a few episodes of devil-barking and a smattering of vocal samples to liven things up, Gollum is total mind-movie music, perfect for dustheads and schizophrenics. I dunno how well all the brainiac stuff is gonna wash with yr average beer swilling metalhead, but certainly the stoner-prog dudes and the black metal cellar dwellars’ll eat it up. And hell, what with the creepy oil paintings and pseudo-satanic gibberish, it might even throw a few parents into a tizzy. So, there ya go. It sure ain’t rock n’ roll, but it’s heavy and almost evil, and I bet yr at least one of those too, right?”
Metal Nightmare
http://www.geocities.com/metalnightmarezine
“Somewhere out there, there is a trollish sounding black metal band that is pissed as all hell. GOLLUM is about as far from black metal as you can get and still remain in the metal genre. Murderously heavy riffs collide with short blast beats, a serious ton of groove, and somewhat whispered/strangled death metal style vocals intermixed with spoken word passages. Steve Austin of TODAY IS THE DAY mixed Lesser Traveled Waters, so you know something properly demented is afoot here. Not a single hobbit, wizard, or ringwraith is to be found on this disc. Nor are there any elves, dwarves, or ents. Just lots of heavy music that doesn't necessarily fit it with a specific genre of metal. I suppose some could call GOLLUM metalcore, and in some ways they'd be right. But they'd also be wrong. If anything,
they're out in their own little universe, just like NEUROSIS or TODAY IS THE DAY are. Something a little more unique than what other bands are doing these days. And that's a rarity. These guys should take a hint from Bored of the Rings and change their name to "Goddamn," 'cause that's what you'll say when you hear them.” – Tom Wren
Daredevil Magazine (Germany)
http://daredevil.de/reviews/2004%20reviews%20april04/2004%20reviews%20ap...
“Step with me in another dimenson. Step with me into the sick world of Gollum. Gollum mainly arranged their songs as instrumentals with a lot of samples and some keyboards in it...in a few songs they have vocals which are really good... here I have to tell you that they also have guest vocals of Dixie (Weedeater) and D. Randall Blythe (Lamb Of God) on their album....really cool. Last time I heard an instrumental album like this was Spickle from New Orleans, but this is a bit more intense and mindblowing...it sounds like a Death-Metal version of Gore from the Netherlands. F**ck...this is damn heavy and the sound samples of Josh send me right into space...damn drugs. You like it hard, technical and not so fast...a bit in the vein of Neurosis...you will worship "Lesser Traveled Waters"...thank you!!!” - Ralf Burkart
Steve Austin, Today is the Day - “I have been listening to Gollum all this week and I have to say this shit kicks ass my man! This is a great album and I couldn't be more behind it!!! It is total sick...this shit destroys!!” – Steve Austin
